AOPA News

The design vocabulary for AOPA’s Retrospective platform takes the last 50+ years of print publications in the art world as a primary reference: specifically the rich design conventions of contemporary art catalogs and artist monographs.

With the recent and most happy addition of the accomplished freelance designer Alex Tench to the AOPA team, the visual design process has begun. Our objective is to create a basic classic graphic theme for Retrospective that will be available to all our clients. The point of departure for this work was a concentrated round of research.

The First Step: Research

Last week, Alex went on a field trip to the Emily Carr University of Art + Design library and Don did the same at Artext and the Université du Québec à Montréal’s Bibliothèque des arts. We perused many dozens of contemporary art catalogs, from the 1970s to the present, with the intent of distilling out recurring design choices.

We quickly found that there were many best practices for presenting information and images that the unsung army of talented and committed art-publication designers have returned to over the years. We identified the visual treatments that made the content easy to understand and read, and that struck the eye as looking fabulous and beautiful. Then we gave consideration to which of these design conventions showed promise in making the transition from paper to screen. What’s relevant on the physical page does not necessarily translate to monitors or mobile devices.

Design in the Service of Art

Before getting into the research findings, this is a good place to reiterate a fundamental principle that is applied to all AOPA’s design work, whether it is visual or in terms of usability. We take as a given that our design decisions must not only put the artwork first, but also must enhance, where possible, users’ understanding of the artist’s creative project. We want people to leave feeling they are closer to the artwork.

For graphic design this means it must, in most cases, be quiet, sit back. It should only come forward if a bolder graphic treatment makes sense for the artist’s work. The design is in the service of the art, not vice versa.

The Research Findings

Here are some of the findings that Alex put together, which will guide his design work on the classic Retrospective theme…

Considered Use of White Space

Convention: White Space (examples)

Sophisticated Grids

Restrained Use of Color

Typography

Type Alignment

Predominance of Imagery

Limited Use of Graphic Elements

Despite a negative response to our funding application to SODEC, AOPA is moving ahead with a first iteration of the AOPA “Retrospective” Platform.

I have been working with AOAP’s senior WordPress developer, Valeriu Tihai, for the summer on the data design and structure for the four main data objects (Artworks, Artists, Series and Exhibitions) of the platform. We now have a working beta of the administrative interface (back end). For artworks, there are over a hundred fields broken into the following groupings, each with its own tab in the admin interface:

• general musicological information
• documentation (images, video, audio)
• exhibition history
• related documents
• sales and collections
• authenticity
• location
• installation instructions
• legacy information
• extras (showing process and source materials)

Don’t be intimidated! When working with AOPA every artist has a dedicated curator to help with assembling and preparing the data, text content and documentation. Furthermore, if you don’t use a field, it will simply not appear.

Check out the YouTube video above that gives a quick overview of the artwork fields. Please feel free to send us your comments don@artistopa.com